BDSM Exposed - Society’s Secret Subculture

BDSM is typically defined as a subculture or different lifestyle choices for people with particular leanings toward bondage, discipline, fetish, kink, and sado masochism culminating in consensual power play, pain and pleasure by its participants to enhance an erotic relationship. The term BDSM literally means: bondage and discipline, sadism and masochism.

The dynamics of a BDSM relationship are characterised by its participants adopting the consensual roles of slave or submissive, and surrendering themselves to the domination of a Mistress or Master for erotic gratification between both parties. It is important to emphasise however, that there is a widely recognised and respected code of behaviour for activities undertaken within the realms of BDSM and sado masochistic play which is “safe, sane and consensual” at all times during a scene. The basic principles of BDSM require that it be performed by responsible partners, of their own free will and in a safe way which means that everything is based on safe, sane and consensual behaviour of all parties. This mutual consent highlights a clear legal and ethical distinction between BDSM and crimes such as sexual assault or domestic violence.

BDSM encompasses a broad spectrum of activities such as bondage, discipline, slave training, spanking, CBT, nipple torture, electro torture, anal play, strapon, fisting, humiliation, spanking, corporal punishment, slapping, spitting, needle play, hot wax, forced feminisation, sissy slut training, water sports, foot worship, stiletto worship, boot worship, trampling, mummification, to name a few.

Traditionall, some of the props of the trade are gags, whips, crops, paddles, ropes, cuffs, collars, straight jackets, straps and hoods, and indeed the Dominatrix or Master being the ultimate tool and driver of the kinky scenario.

Until the mid-nineties, the BDSM and fetish subcultures were still largely underground communities, however social acceptance swiftly escalated due to the prevalence of material available via the internet. It seems the internet has revolutionized our sex lives and provided us the luxury of exploring our darkest desires in the privacy of our own homes with downloadable BDSM, fetish and femdom movies at the click of a mouse.

These domination and femdom themed movies are likely to portray men and women experiencing various forms of bondage, discipline, punishment and torture and being consensually “forced” to endure submission, humiliation or sexual slavery by a femdom or master applying various methods of torture, punishment and discipline. Oh and yes, if you’re wondering, statistics show that a lot of people like it. Whether they are physically on the receiving end from their adored masochist or satisfying their individual fetish and kinks by watching BDSM, femdom and fetish movies, chances are there are a lot more people aroused by this secret world than they would openly admit.

The internet also paved the way for like-minded people to communicate not only locally, but world wide which in turn triggered an explosion of interest and knowledge of BDSM, kink, fetish and S & M. In addition, there has also been an explosive demand for traditional sex shops and online adult toy companies to stock fetish toys and fetish fashion, offering leather, latex, rubber and PVC.

Fortunately, the blossoming of websites offering BDSM movies has been a godsend for those curious, shy little creatures with no means of fulfilling their desire for slave training and servitude in the real world enabling them to explore their inner slave. Now they can download a session with an international BDSM Mistress and take all the punishment their little heart desires at a safe distance without those little telltale torture marks that tell their partner they have a penchant for a Femdom Mistress.

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What is Abstract Art?

Abstract Art is a broad movement in American painting that was instigated in the late 40s and became a dominant trend in Western painting through the 1950s. The leading American Abstract Expressionist painters were Jackson Pollock, Willem de Kooning, Franz Kline, and Mark Rothko. Contemporaries were Clyfford Still, Philip Guston, Helen Frankenthaler, Barnett Newman, Adolph Gottlieb, Robert Motherwell, Lee Krasner, Bradley Walker Tomlin, William Baziotes, Ad Reinhardt, Richard Pousette-Dart, Elaine de Kooning, and Jack Tworkov. The majority of those worked, lived, or had their work exhibited in New York City.

While it is the accepted designation, Abstract Expressionism is not an accurate name of the body of art created by the artists. In actual fact, the movement consisted of numerous different painterly styles that varied in both skill and quality of work. Despite this variety, Abstract Expressionist paintings also share a number of general elements. They are basically abstract — i.e., they depict forms that are not assumed from the outer world.

They furthermore emphasize unrestricted, spontaneous, and individualised emotional expression, and they display high freedom of skill and execution to reach this goal, with a special emphasis placed on the exploitation of the changeable physical texture of paint to call upon expressive qualities (for example, sensuousness, dynamism, violence, mystery, lyricism). They lay likewise importance on the unstudied and intuitive use of the paint in a type of artistic improvisation like the automatism of the Surrealists, with the similar purpose of showing the power of the creative unconscious in art. They display the conscious rejection of commonly structured composition taken by application of discrete and segregable aspects and their replacement with a unique and unified, undifferentiated grounds, network, or other image that exists in unstructured space. Finally, the paintings fill sizeable canvases to give such aforementioned visual aspects both monumentality and engrossing might.

The earlier Abstract Expressionists had two original forerunners: Arshile Gorky, who painted suggestive biomorphic figures in a free, intricately linear and liquid paint technique; and Hans Hofmann, who used dynamic and powerfully textured brushwork in his abstract but conventionally structured paintings. An early significant influence on nascent Abstract Expressionism was the arrival on the American shores in the late thirties and early 40s of a group of Surrealists and other important European avant-garde artists migrating from the rise of the Nazis in Europe. These artists greatly moved the native New York City painters and granted them a detailed understanding of the vanguard of European paintings. The Abstract Expressionist movement itself is generally viewed as having commenced with the painting created by Jackson Pollock and Willem de Kooning through the late 1940s and early 1950s.

While acknowledging the diversity of styles in the Abstract Expressionist movement, three common approaches can be found. First was action painting which is signified by a loose, speedy, dynamic, or forceful handling of paint in sweeping or slashing brushstrokes, and in technique somewhat dictated by chance, i.e. dripping or spilling the paint right onto the canvas. Pollock initially practiced action painting by dripping commercial paints on the raw canvas building up complex and tangled skeins of paint into evocative and suggestive linear patterns. De Kooning employed especially vigorous and expressive brushstrokes creating richly coloured and textured images. Kline employed strong, sweeping black strokes onto white canvas to build up starkly monumental forms.

The next approach in Abstract Expressionism is displayed by a number of varied styles beginning with the lightly lyrical, delicate imagery and fluid shapes in paintings by Guston and Frankenthaler to the clearly structured, forceful, almost calligraphic pieces of Motherwell and Gottlieb.

The third and least emotionally expressive ground was that of Rothko, Newman, and Reinhardt. These painters used large areas or dimensions of flat colour and weak diaphanous paint to master quiet, subtle, almost meditative effects. The top colour-field painter was Rothko; many of his paintings consist of vast combinations of soft-edged, solidly coloured rectangular spaces that tend to shimmer and resonate.

Abstract Expressionism created a wide influence on both the American and European art scenes through the 1950s. Indeed, the movement instigated the change of the creative centre of modern painting from Paris to New York City through the postwar period. In the course of the 50s, the the youth of the movement increasingly took the lead of the colour-field painters. By 1960, the movement’s young artists had commonly moved away from the highly charged expressiveness of the action painters.

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